The shift to romance in tamil movies has had one victim. The masala movie. Such movies were the staple of
tamil cinema in the eighties with every other movie featuring the hero as a police officer who
brought nasty criminals to book. Vijayakanth acted in several such roles with movies like
Pulan Visaaranai and Captain Prabhakaran setting the cash
registers ringing. Vallarasu is a throwback to that bygone era. With Vijayakanth
as a police officer, I was all ready for an entertaining, stunt-filled thrill ride. But what I got
was a movie that showed real promise at several points with surprising twists and clever plot
devices but was unable to provide any kind of adrenaline rush for an extended period.
Vijayakanth must by now be a firm believer in the adage "When it rains, it pours". The actor went
through a long, lean phase in his career without a single, substantial hit since Chinna
Gounder . But Vallarasu now completes a hattrick of hits for him after Kannu
Padappogudhaiyaa and Vaanathai Pola . While the last two were village
movies with emphasis on sentiments and emotions, Vallarasu is an out-and-out masala movie,
a genre where he faced several flops(like Alexander) during the last few years.
Its success clearly confirms his miraculous comeback, marking another new high in his career.
Vallarasu(Vijayakanth) is the deputy commissioner of police who has arrested Wasim Khan(Mukesh Rishi),
a terrorist from Pakistan. He lives with his wife Anjali(Devayani) and two children and is
upright enough to kill his own superior when he realises that he is supporting anti-national
elements. With the help of four youth, who are disillusioned by their inability to join the
police force, Vallarasu goes after R.Kandasamy(P.Vasu), a rich man who is behind the attempts
to destabilise the country.
The film offers several clever moments that point to some good thinking on the part of the
director. The ruse Vijayakanth uses to save Sriman from the criminals who are following him
and the way he disperses the crowd in front of his house when he has arrested P.Vasu are
two such moments. This leads to a sense of anticipation as to how Vijayakanth is going to
clear his hurdles and most of the time, we are not disappointed. But there is more brain than
brawn since moments like this dominate the movie rather than real stunts. There are almost
no one-on-one fights and even possible fights fizzle out soon. A real disappointment especially
since earlier Vijayakanth movies like Captain Prabhakaran and Chatriyan had some
of the best fight sequences ever seen in tamil movies.
The dialogs are a mixed bag. Vijayakanth indulges in long bouts of philosophizing on issues like
caste. And there are several pieces of dialogs targeted at his fans which are tough to sit
through unless you are one. But the long speech he makes to his superiors regarding the actions
of the police is impassioned and contains several good points. Similarly, the couple of occasions
where he turns the table on P.Vasu by repeating the same dialogs that Vasu uttered(like the one
about a bullet hitting an unintended target) are enjoyable. The way Vijayakanth deals with the
leaders of two caste factions also brings a smile to our lips.
Song sequences are forcibly inserted into the proceedings and are unnecessary speedbumps to
the flow. Worse, they are picturised very unimaginatively. Vadivelu's 'gana' song (thankfully,
he appears only for the one song) with a skimpily clad dancer is the worst of the lot.
The two duets have Vijayakanth appearing in some very brightly colored costumes including one
that features the logo of his fan club. In fact, the second duet deserves to come with
a warning message that usually accompanies solar eclipses - "Do not look straight at these
costumes. They might damage your eyes!"
Vijayakanth looks trimmer but still seems a little heavyweight for the role. He seems to
be doing a Rajnikanth, right from the graphics for showing his name to the double
entendre dialogs about his fans and politics to the
Baasha -like background music whenever he walks in slow-motion. Devayani
does what she can with the role of the wife in an action movie. P.Vasu is impressive in
his first time in front of the camera. His dialog delivery is especially effective.
The movie is littered with a lot of known faces in minor supporting roles. Apart from Vadivelu,
we have Raghuvaran as a police officer, Ambika as his wife, Livingston as a CBI officer,
Karan as a youth who helps Vijayakanth and Mansoor Ali Khan as the leader of a caste faction.
Eternal punching bag Ponnambalam plays a good guy for a change but still ends up on the
receiving end of blows!
It will be a good thing indeed for lovers of action if the success of Vallarasu leads to more masala
movies in tamil. Hopefully, they will stick to the task at hand and result in movies that
are more professionally-made than this one.
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