| AVM Productions and S.P.Muthuraman had very successful association with both Rajnikanth
and Kamalhassan in the 80s. The combination produced several movies that were hugely
successful at the box office. The one common factor among all these movies was that
they were purely 'masala' movies with light, uncomplicated storylines, good comedy,
lots of stunt sequences and extravagant song sequences. Thoongaathey Thambi
Thoongaathey is one such movie that uses the age-old concept of brothers separated
at birth and is still an entertaining venture with the aforementioned ingredients.
Gopi(Kamalhassan) is an unemployed BSc graduate. Though his uncle's daughter
Jayanthi(Sulakshana)
tries to enter his heart, he falls in love with Padmini(Radha) the daughter of a rich
businessman. When Padmini is on a visit to her father's friend's estate, she spots
Vinod(Kamalhassan), a look-alike of Gopi. She learns that the manager of the estate
Rajalingam(Vinu Chakravarthy) has made Vinod a drug addict and is swindling him of his
riches. When Gopi learns from his mother that Vinod is none other than his brother who
was separated at birth, he takes Vinod's place to set things right while Vinod is
smuggled to his house.
The movie offers everything that goes towards making a light entertainer. Kamal is
the perfect romantic hero as he resists Sulakshana's advances while at the same
time making his own advances towards Radha. Surprisingly, his encounters with
Sulakshana that are more entertaining since they are done with a comic touch. Her
arguments to belittle the height difference between them and the way she
turns the tables on Kamal after being caught are cute and funny.
Ofcourse these romantic acts are just fillers and the movie shows some semblance
of a story only after the second Kamal makes an appearance. With the drug addiction
and wealth and girls, he is naturally the more interesting of the two. The surprise
at their similar looks is quicky disposed off with the oldest trick in the book
and the movie shifts to them operating under new environments. Here again, it is
the drug addict in his mother's house who raises more interest. His struggle to fit
in is fun as he deals with his sister and Sulakshana. Though Gopi has a more
potentially interesting situation with the villains, his execution of his plan
is neither clever nor interesting.
As in all masala movies, stunts and song sequences occupy a substantial portion of
the movie here too but this isn't a problem since they are well-done. The fight
at the teastall is beautifully choreographed with Kamal's handling of the bench
being superb. The other fights aren't as innovative but are choreographed well.
The climax chase is extravagant but not very thrilling. Naanaaga Naanillai...
is the pick of Ilaiyaraja's songs and is very melodious. Vaanam Keezhe...
is well-picturised with S.P.Muthuraman's trademark shining lights and glitzy
costumes. Varudhu Varudhu... is a showcase for Kamal's dance moves(though
they do seem a little slow now).
Kamal distinguishes beautifully between the two roles with his accent and
gestures adding gloss to the role of the foreign returned man. Many of the English
phrases he uses seem quite ahead of their time. Sulakshana is energetic, especially
in the Summaa Nikkaadheenga... song sequence while Radha doesn't have
much to do. Vinu Chakravarthy, Koundamani and Janakaraj make up the bad guys but,
they are not really impressive since they do double duty as comedians too.
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