Having burned his hands badly with the critically lauded but commercially disastrous
Hey Ram , Kamalhassan has lined up a series of blatantly
commercial ventures to star in, in order to taste success again. Thenali is the
first offering in that series and Kamal couldn't have announced his commercial aspirations
any louder. Along for the ride are the same two people he had with him for the successful
Avvai Shanmugi, K.S.Ravikumar and 'Crazy' Mohan. Together, the three deliver whats
expected of them in this comedy that lays emphasis on wordplays, slapstick and physical
comedy.
Thenali Soman(Kamalhassan) is a man who is scared of everything - a carryover from his
life in Ceylon. He is a patient of Dr.Panjabootham('Delhi' Ganesh), a psychiatrist whose
only aim is to smear the reputation of Dr.Kailash(Jayaram), a fellow psychiatrist but
much more popular. So Dr.Panjabootham foists Thenali on Dr.Kailash, who is on a vacation
alongwith his wife Jalaja(Devayani) and two children. Thenali endears himself to the
family and falls in love with Kailash's sister Janaki(Jyothika). Kailash tries to get rid of
him but his plans backfire as Thenali sees them as part of his treatment that is being
effective in curing him.
An appreciable aspect of Thenali is that it is not a theme that can immediately be
branded as a lightweight comedy.
Unlike most other comedies which are nothing more than a collection of skits(more often
than not based on mistaken identities), Thenali, with its story of a scared man and
his psychiatrist, could have gone either way - as a comedy or as a serious movie. In fact
there are a couple of scenes, where Kamal relates his past, that wouldn't be out of place
in a serious movie. It is the screenplay that successfully turns it into a comedy. It is
a relief to see the filmmakers squeeze laughs out of situations other than people switching
places and some thought has definitely gone into the sequences where Jayaram's attempts to
get rid of Kamal turn out to be treatment for him.
The movie has no pretensions about the kind of comedy it attempts. The script is peppered
with distinctive 'Crazy' Mohan 'kadi' jokes and wordplays. These are jokes that make you
laugh heartily at the moment but you struggle to remember after leaving the theater. I'll
take those any day over jokes that are unfunny and the only thing you remember about them
later are how painful they were. The rest of the comedy is predominantly physical with
Kamal and KSR prepared to go to any lengths to get laughs. Barring a disgusting series of
jokes involving Madan Bob vomiting, most other jokes are funny and work at their level.
Kamal's comic flair has been on display numerous times before and Jayaram, who also
exhibits tremendous comic ability, joins him for the best scenes in the movie. Kamal is
all charm as he wins the affections of everyone in Jayaram's family(with special
attention to Jyothika, ofcourse!) and Jayaram's apparent irritation at this is
cute and funny. Some of the scenes, like Jayaram's perception of what Kamal and
Devayani are doing under the table(because of his own earlier idea for privacy)
and morphing of scenes from older movies to earlier happenings, are quite clever. There
is also a piece of dialog where Kamal attacks the put-on accent of tamil TV announcers
that is right on target.
Unlike Kaadhalaa Kaadhalaa , Kamal's last foray into
comedy, Thenali has a few oppurtunities where we see Kamal the actor and not just
Kamal the comedian. His Ceylon accent is flawless and his narrations of his past, both
to Jayaram and to the interviewer, are touching. Ofcourse the comedy offers him no
challenges and he breezes through the rest of the movie. Jayaram, with a terrific comic
performance, is the movie's big surprise though. His transformation from a dignified
psychiatrist to a raving maniac is hilarious with funny facial contortions and excellent
timing and dialog delivery. The rest of the cast is barely seen. Jyothika would be
completely forgotten if not for the song sequences. Devayani doesn't fare much better.
The ever-reliable 'Delhi' Ganesh and Ramesh Khanna raise several laughs. Rehman comes up
with probably the weakest soundtrack in his career so far and this fact is only compounded
by KSR's poor, unimaginative picturisation of the songs.
|