| At a time when Tamil cinema was being led along the same path of masala and romance
movie after movie, Vikraman made us sit up and take notice of him with his very first
movie Pudhu Vasantham. He dared to strike a different path by making a
movie that had friendship as its theme and found success too as the movie became
a super hit. Its soundtrack became very popular, Murali inherited the mantle of
'singing star' from Mohan and Sitara(this was her first movie too) went
on to enjoy a moderately successful career.
Vikraman has mastered the art of portaying good things in a way that is simple and
makes us feel good and leave the theater with a smile. In Vaanatha
Pole the relationships in the loving family were so affectionate while in
Poove Unakkaaga , Vijay was the ideal lover with
lofty ideas about love. Here Vikraman places friendship on a pedestal and even
though it is his first movie, shows many signs of his later trademarks. The
movie makes us wish for a friendship like the one that exists between its leads.
Balu(Murali), Michael(Anandbabu), Raja(Raja) and Manohar(Charlie) are a foursome
who sing by the roadside for a living, while struggling to find their break as
singers. They rescue Gauri(Sitara), who arrives in search of her lover Suresh,
from a man who attempts to cheat her. But arriving at Suresh's house, they learn
that he has left for London. So they decide to let Gauri live with them and become
real good friends with her. The four are genuinely happy when they learn Suresh is
returning and wonder how he would treat them.
The movie lets four guys and the heroine live together under one roof but focusses
on the friendship between them. This came as a real surprise back then. I remember
watching this movie back in Chennai, waiting for Murali or Sitara to develop
romantic feelings for the other and being pleasantly surprised when the director
showed no signs of that happening! The friendship between the gang is picturised
very well. The sorrow that comes over the four after they take Sitara to a hostel
and their happiness when she comes back are infectious and touching. The way they
run around and satisfy her every wish is also sweet and makes us wish for friends
like them.
Emotions are overdone sometimes though they are effective most of the time. The
point where Sitara tells Jaiganesh that the four are her friends is very
effective. The character of Suresh is a caricature. Though his future actions
are necessary for the storyline, his actions right from the beginning are
cinematic and leave us in no doubt as to how the movie is going to end. The
familiar houseowner whose only job seems to be to badmouth Sitara is also at
hand(alongwith her similarly foul-mouthed neighbors at the handpump!) though
she soon learns her lesson and becomes friendlier.
Acting honors are spread quite evenly among the cast with all of them having their
moments. Murali proves he can play a predominantly jolly role too instead of keeping
his face sad all the time. Anandbabu and Raja play their roles as they always do.
Charlie is extremely funny and has the best lines in the movie. The way he reads
Gauri's name when she writes it on the board and his reaction to her invitation
for dinner after an earlier (mis)adventure are hilarious (He must have felt a
sense of deja vu playing exactly this same role of one of four struggling
band of musicians in the recent Ennavale !)
As in all Vikraman movies,
a weak soundtrack and unimaginative picturisation plague the movie and these are
even more striking since the movie is basically a musical and contains quite a few
songs. Aayiram Thirunaal... is the only catchy number in the movie.
Mudhal Mudhalaa... certainly doesn't sound like it deserves all the nods
from its listeners while Podu Thaalam Podu... doesn't fit into the
situation at all.
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