Kamalhassan deviates from his usual formula of alternating between serious and
comedy movies to follow up Pammal K Sambandham with
Panchathanthiram, another comedy caper. The venture finds him reteaming
with dialog writer 'Crazy' Mohan and director K.S.Ravikumar, his partners
in previous hits Avvai Shanmugi and Tenali .
Thankfully, the deviation in formula has not diluted the effectiveness of the
comedy provided by the threesome and though a sense of familiarlity pervades many
scenes, they come up with another movie that successfully places laughs over
logic.
Ramachandramurthy(Kamalhassan), a playboy, finally settles down in matrimony
with Mythili(Simran), who is aware of his Casanova ways. A couple of misunderstood
incidents later, she splits from him and moves into her parents' house. Ram's
foursome of friends(Jayaram, Yugi Sethu, Ramesh Arvind, Sriman), wishing to
cheer him up, hook him up with a callgirl Maggie(Ramya Krishnan). Ram wants
nothing to do with her but is forced to find ways to cover things up when he
finds her murdered in his room. The five friends dispose off the
body but things don't stay quiet for too long.
As in most recent Kamalhassan movies, this movie too owes its origins to a Hollywood
flick. But unlike Tenali(a virtual remake of What About Bob?),
Panchathanthiram simply borrows the setup from Very Bad Things, a
violent, dark comedy, and then sets off in a different, purely comic direction. As
always, there are a few sequences(like the "munnala-pinnaala" dialogs with the
policeman or the increasing damage to the reputation of Sriman's family during the Ugadi
function) with belly-aching laughs. But the movie scores over Kamal's other recent comic
outings in that it never lets the comic momentum flag with long, unfunny sequences or
out-of-place sentiments. When things get bogged down a little, there is always a
joke around the corner to save the day.
'Crazy' Mohan once again proves that he writes his best stuff for Kamalhassan
with some very funny - even if not memorable - jokes, one-liners, wordplays and
silly kadis. He makes us forget that we are dealing with potentially
serious issues, like the murder of an innocent woman or the serious ailment of
a little boy, with his constant barrage of jokes that hit the mark more often than
not. In particular, his knack of exploiting words with multiple meanings("kattikko")
and extracting jokes out of everyday phrases("changing gear") always amazes me. The
only problem is that during sequences with a string of successful jokes, the
aftershocks of the laughter from one joke frequently drown out a couple of the
following ones!
But the frequency of recent Kamal-Crazy combinations has led to a sense of
familiarity creeping in. The dialogs in many scenes give us a vague feeling of
having heard them before and the effectiveness of some scenes is lost since we
are able to guess the punchline. There also some lost opportunities which we
sense could have been a lot funnier given the material. A prime example is the
Ugadi sequence which starts off very funny but tapers out with a weak song
without ever reaching the comic heights the situation calls for. The movie is
also hampered by a weak climax with an overdose of comic twists & turns, chases
and other 'masala' elements.
Kamal been in the game too long to take any false steps. He has aged quite
visibly, a fact that is especially apparent during the close-up shots but as always
displays great comic timing. Jayaram and Yugi Sethu catch our eye among the
four friends. Both Simran and Ramya look great but the comic potential of
Urvasi(last seen so hilariously in Thamizh ) has been
left untapped. Other actors like Sangavi, Ishwarya, Manivannan, Ramesh Khanna and
'Kovai' Sarala have also been wasted. Deva comes up with one catchy tune in
Vai Raja Vai... while the lyrics for Ennoda Kaadhal... drop teasing
hints about the recent rumors of a romance between Kamal and Simran.
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