With the success of movies like Gemini and Dhool ,
well-known stars in Tamil cinema have recently been leaning rather strongly towards masala, action-oriented movies.
The casualties in this trend have been the softer, romantic movies and we have seen only debutante directors and actors
participating in such movies. The wonderful Parthiban Kanavu was a welcome
exception. Priyadarshan's long-delayed Lesa Lesa too attempts to fill the same void but in a less successful
fashion.
Rakesh(Shaam) is a real-life Richie Rich - he has lots of money but no relations to share it with. His friend Chandru(Vivek)
has frittered away his grandfather's money and when the grandfather wants to visit him, he requests Rakesh's help to
pose as the owner of all those riches for the duration of the grandfather's stay. The grandfather arrives with five of his
granddaughters in tow and Rakesh finds himself constantly quarreling with the eldest of them, Balamani(Trisha).
The biggest drawback of the movie is that it has a familiar trajectory. There are very few surprises in the movie as
is traverses a path riddled with cliches and predictable occurrences. We know that Shaam and Trisha will fall in love
inspite of their quarrelling. Even the sequence where Trish has the anticipated change of heart(Shaam saves her by
hiding her part in his accident) is familiar. And for any viewer who has seen even a few Tamil movies, Shaam's enthusiasm
and Trisha's reserved behavior make it obvious that an all-too familiar twist, with a related flashback explaining her past,
is coming.
But what Priyadarshan does succeed in is extending the boundaries of the familiar story and filling it with interesting
incidents that successfully avert boredom. The scenario of five sisters, out of which one is in love with Vivek, is a good start.
Shaam and Vivek trying to identify the sister who in love with Vivek and Shaam's quarrels with Trisha provide some fun
moments. The flashback is predictable but introduces a nice, energetic character nevertheless. But the climax is a complete
mistake. In order to provide a feel-good ending(which the Malayalam original did not have), Priyadarshan tacks on an ending
that feels inappropriate, hurried, abrupt and lessens the respect we have for the characters.
Music and photography prove to be two strong pillars holding up the movie. Harris Jayaraj hits the bull's eye with all
the songs in the youthful soundtrack. The lilting and melodious Lesa Lesa... is a great start. Mudhal
Mudhalaai... and Edho Ondru... are both energetically sung and the picturization is a treat to the eyes too.
The cinematography is gorgeous whether indoors or out. The trip through the singer's artfully decorated house during
the title song and the fight in the rain between Shaam and Trisha's friends are two sequences that stand out for their
picturisation. The songs are rightly picturised in bright, natural colors.
Shaam looks handsome and gives a credible performance. One can't help feeling sorry for him. Wish he would get a
break with atleast a single hit. Trisha, in what was suppposed to be her debut film, looks slim and pretty. She doesn't
display much awkwardness in front of the camera either. The star in the flashback is impressive and makes us like him
very easily. Vivek is not given the chance to be very funny but Malayalam actors Srinivasan, Innocent and Hanifa split
the laughs between them.
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