The team made up of producer 'Editor' Mohan and his two sons, hero 'Jayam' Ravi and director Raja, has
given us three hits in a row so far. FOllowing in their footsteps, A.M.Rathnam has now produced Kedi
with his son Ravikrishna as the hero and his other son Jothikrishna as the director. But this is not as good
a team-up as 'Editor' Mohan, 'Jayam' Ravi and Raja. Jothikrishna here doesn't have the same talent as Raja at
mixing things together to provide a good entertainer. And Ravikrishna is more than a few notches below 'Jayam'
Ravi in the 'likeable hero' category.
Raghu(Ravikrishna), the son of a store owner, is one of the last benchers - those guys who sit in the last
bench, never listen to the professor and come to college just to have fun - in college. He rubs
Priyanka(Tamanna), a minister's sister and his classmate, the wrong way and she makes it her job to insult
Raghu. But that doesn't work as she had planned since it makes Raghu a better student. So she starts liking
him though Raghu likes Arti(Ileana), another classmate. But Priyanka is a girl who is used to getting
the things she wants.
Kedi is a love triangle but plays with our expectations by presenting characters that don't fit
into the usual Tamil cinema conventions for such triangles. For instance, the 'loser' in the love triangle
is actually more charismatic than the heroine. Tamanna is good at academics and a good dancer while Ileana
never stands out. In fact, its never clear why Ravikrishna falls for her. Similarly, Tamanna's brother Atul
Kulkarni is affectionate and not one of those brothers who keeps his sister on a tight leash. So, though all
this is shown in a flashback and we know exactly how things are going to turn out, the film still manages to
maintain some unpredictability because of its characters.
The film works as a romantic comedy for a while. But it then has a shift in tone that is really jarring.
Initially, the film is filled with college and classroom antics that feature the usual comedy, romance
and one-upmanship. But towards the end, we get violence, torture and stunts that just don't suit the tone
of the movie so far. These scenes are quite raw and visceral and the violence is not the comic, bloodless
variety we usually see either.
The film gets quite convoluted towards the end and Ravikrishna goes to a lot of trouble to
do things that could be done with in a much less complicated way. But there are some nice surprises with
respect to one of the characters towards the end. We're being manipulated ofcourse but in a good way since
the revelations are unexpected and help us learn a few things. This once again makes the characters
go against the usual conventions and leads to an ending that is not as upbeat as most endings.
Ravikrishna is just as irritating as usual with his inexpressive face and whiny, unmodulated voice. He
is really slow and lethargic in the dances and fights too, proving that he has none of the requirements
to be a hero. Tamanna gets a meaty role and is impressive. She is not all that expressive either but
that goes well with her character. Ileana looks like she could carry off both homely and modern roles
well. But this movie doesn't give her the opportunity to shine and she is overtaken by Tamanna. Atul
Kulkarni gets a rather sorry role. Aadhivaasi Naane... is an immediately catchy number by
Yuvan Shankar Raja.
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