| Right from Idhayam, Kathir has proved that he has come talent in
picking a youthful story but falters when bringing it to the big screen.
Idhayam portrayed the story of a guy who never vocalised his love
for a girl while the recent Kaadhalar Dhinam
focussed on cyber love. But cheap comedy is also a distinct feature of his
movies and brings down the quality of the whole movie. Kaadhal Desam
too has at its core an interesting love triangle involving both love and
friendship but the end product is not completely satisfying.
The students of Pachayappas college and Loyola college are rivals, especially
when it comes to catching the attention of the girls of the neighboring women's
college. Karthik(Vineeth), a student of Pachayappas, is poor while Arun(Abbas),
a student of Loyola, is a rich boy. Initially at loggerheads with each other,
they soon become thick friends. But Divya(Tabu), their common friend, captures
both their hearts and this once again causes friction between them. Finally they
decide to let Divya decide who among them she wants to marry.
Kathir does a nice enough job of portraying both friendship and love in a
touching manner. The incidents leading to the development of friendship between
Vineeth and Abbas and also between Tabu and both of them(individually) are quite
believable. Vineeth's act, which makes her understand his seriousness in love is
a little overdone but effectively picturised. Same goes for Abbas' act which
saves her life.
He is also successful in extending the suspense regarding the resolution of the
love triangle. Just when we think its clear as to which of the two get Tabu, he
throws in another turn that muddles the issue once again. And the climax caps off
this issue very nicely.
Kathir selects two real-life names for the colleges and this adds a realistic touch
to the proceedings initially. But the realism is gone once we see the sets for
the two colleges. For the art director, the intent seems to have been to spend
money lavishly and not make the scenes seem realistic. The sets, with the glass
buildings and cluster of foreign brand names and high-tech feel, look like rejects
from a Hollywood science fiction movie!
Kaadhal Desam is another addition to the list of tamil movies that portray
tamil colleges(and its inhabitants) in a degrading way. Seeing this movie one
wouldn't be blamed if one came to the decision that college guys never attended any
classes and spent all their time milling around the local women's colleges, indulging
in vulgar acts. We don't have a single scene of Abbas
or Vineeth inside their college. And in the one scene where Tabu attends a class,
we see her teacher berate the girls for not being in love since none of them writes
good poems!
Abbas stirred up quite a craze among the fairer sex in Tamil Nadu with this movie.
He does quite a good job considering its his debut, showing some nice dance steps
and not looking too awkward in the couple of emotional scenes. Vineeth fits his
role. Tabu looks very pretty but has a mature look when compared to both the heroes.
SPB has fun in his role of the friendly father who enjoys his position of respect
owing to being the father of a pretty girl. Vadivelu has some funny lines and
sequences(like his style of boarding and getting down from buses) but these scenes
don't exploit their full potential solely because of his raving and ranting with no
subtlety whatsoever. With Vadivelu hogging the limelight, Chinni Jayanth is surprisingly
subdued. Producer K.T.Kunjumon makes an appearance as a police officer in one scene.
A.R.Rehman comes up with a nice mix of melodious and catchy tunes for the hit
soundtrack. Mustafa Mustafa... captured the imagination of listeners and was
enormously popular. Enai Kaanavillaye... is soulfully rendered by SPB.
Rest of the songs don't reach the level of these two but both Kalloori Saalai...
and Hello Doctor... have some nice, fast beats. Photography is beautiful in
the outdoor shots with a couple of silhoutte shots being well shot. The shot of a
car falling over the Madras flyover is also very well done.
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